See also: frequency modulation and FM band
FM broadcasting is a broadcast technology pioneered by Edwin Howard Armstrong that uses frequency modulation (FM) to provide high-fidelity sound over broadcast radio.
Terminology
The term 'FM band' is effectively shorthand for 'frequency band in which FM is used for broadcasting'. This term can upset purists because it conflates a modulation scheme with a range of frequencies.
The term 'VHF' (Very High Frequency) was previously in common use in Europe. 'UKW,' which stands for Ultrakurzwellen (ultra short wave) in German is still widely used in Germany, as is 'UKV' ( Ultrakortvåg ) in Sweden.
Broadcast bands
Throughout the world, the broadcast band falls within the VHF part of the radio spectrum. Usually 87.5 to 108.0 MHz is used, or some portion thereof, with few exceptions:
- In the former Soviet republics, and some former Eastern Bloc countries, the older 65-74 MHz band is also used. Assigned frequencies are at intervals of 30 kHz. This band, sometimes referred to as the OIRT band, is slowly being phased out in many countries. In those countries the 87.5-108.0 MHz band is referred to as the CCIR band.
- In Japan, the band 76-90 MHz is used.
The frequency of an FM broadcast station (more strictly its assigned nominal centre frequency) is usually an exact multiple of 100 kHz. In most of the Americas and the Caribbean, only odd multiples are used. In some parts of Europe, Greenland and Africa, only even multiples are used. In Italy, multiples of 50 kHz are used. There are other unusual and obsolete standards in some countries, including 0.001, 0.01, 0.03, 0.074, 0.5, and 0.3 MHz.
For more information on FM frequency allocations, see FM broadcast band.
Modulation characteristics
Modulation
Frequency modulation (FM) is a form of modulation which conveys information over a carrier wave by varying its frequency (contrast this with amplitude modulation, in which the amplitude of the carrier is varied while its frequency remains constant). In analog applications, the instantaneous frequency of the carrier is directly proportional to the instantaneous value of the input signal. This form of modulation is commonly used in the FM broadcast band.
Pre-emphasis and de-emphasis
Random noise has a 'triangular' spectral distribution in an FM system, with the effect that noise occurs predominantly at the highest frequencies within the baseband. This can be offset, to a limited extent, by boosting the high frequencies before transmission and reducing them by a corresponding amount in the receiver. Reducing the high frequencies in the receiver also reduces the high-frequency noise. These processes of boosting and then reducing certain frequencies are known as pre-emphasis and de-emphasis, respectively.
The amount of pre-emphasis and de-emphasis used is defined by the time constant of a simple RC filter circuit. In most of the world a 50 µs time constant is used. In North America, 75 µs is used. This applies to both mono and stereo transmissions and to baseband audio (not the subcarriers).
The amount of pre-emphasis that can be applied is limited by the fact that many forms of contemporary music contain more high-frequency energy than the musical styles which prevailed at the birth of FM broadcasting. They cannot be pre-emphasized as much because it would cause excessive deviation of the FM carrier. (Systems more modern than FM broadcasting tend to use either programme-dependent variable pre-emphasis—e.g. dbx in the BTSC TV sound system—or none at all.)
FM stereo
In the late 1950s, several systems to add stereo to FM radio were considered by the FCC. Included were systems from 14 proponents including Crosley, Halstead, Electrical and Musical Industries, Ltd (EMI), Zenith Electronics Corporation and General Electric. The individual systems were evaluated for their strengths and weaknesses during field tests in Uniontown, Pennsylvania using KDKA-FM in Pittsburgh as the originating station. The Crosley system was rejected by the FCC because it degraded the signal-to-noise ratio of the main channel and did not perform well under multipath RF conditions. In addition, it did not allow for SCA services because of its wide FM sub-carrier bandwidth. The Halstead system was rejected due to lack of high frequency stereo separation and reduction in the main channel signal-to-noise ratio. The GE and Zenith systems, so similar that they were considered theoretically identical, were formally approved by the FCC in April 1961 as the standard stereo FM broadcasting method in the USA and later adopted by most other countries.
It is important that stereo broadcasts should be compatible with mono receivers. For this reason, the left (L) and right (R) channels are algebraically encoded into sum (L+R) and difference (L−R) signals. A mono receiver will use just the L+R signal so the listener will hear both channels in the single loudspeaker. A stereo receiver will add the difference signal to the sum signal to recover the left channel, and subtract the difference signal from the sum to recover the right channel.
The (L+R) Main channel signal is transmitted as baseband audio in the range of 30 Hz to 15 kHz. The (L−R) Sub-channel signal is modulated onto a 38 kHz double-sideband suppressed carrier (DSBSC) signal occupying the baseband range of 23 to 53 kHz.
A 19 kHz pilot tone, at exactly half the 38 kHz sub-carrier frequency and with a precisely defined phase relationship to it, is also generated. This is transmitted at 8–10% of overall modulation level and used by the receiver to regenerate the 38 kHz sub-carrier with the correct phase.
The final multiplex signal from the stereo generator contains the Main Channel (L+R), the pilot tone, and the sub-channel (L−R). This composite signal, along with any other sub-carriers (SCA), modulates the FM transmitter.
Converting the multiplex signal back into left and right audio signals is performed by a stereo decoder, which is built into stereo receivers.
In order to preserve stereo separation and signal-to-noise parameters, it is normal practice to apply pre-emphasis to the left and right channels before encoding, and to apply de-emphasis at the receiver after decoding.
Stereo FM signals are more susceptible to noise and multipath distortion than are mono FM signals.
In addition, for a given RF level at the receiver, the signal-to-noise ratio for the stereo signal will be worse than for the mono receiver. For this reason many FM stereo receivers include a stereo/mono switch to allow listening in mono when reception conditions are less than ideal, and most car radios are arranged to reduce the separation as the signal-to-noise ratio worsens, eventually going to mono while still indicating a stereo signal is being received.
Quadraphonic FM
In 1969 Louis Dorren invented the Quadraplex system of single station, discrete, compatible four-channel FM broadcasting. There are two additional subcarriers in the Quadraplex system, supplementing the single one used in standard stereo FM. The baseband layout is as follows:
- 50 Hz to 15 kHz Main Channel (sum of all 4 channels) (LF+LB+RF+RB) signal, for mono FM listening compatibility.
- 23 to 53 kHz (cosine quadrature subcarrier) (LF+LB) - (RF+RB) Left minus Right difference signal. This signal's modulation in algebraic sum and difference with the Main channel was used for 2 channel stereo listener compatibility.
- 23 to 53 kHz (sine quadrature 38 kHz subcarrier) (LF+RF) - (LB+RB) Front minus Back difference signal. This signal's modulation in algebraic sum and difference with the Main channel and all the other subcarriers is used for the Quadraphonic listener.
- 61 to 91 kHz (cosine quadrature 76 kHz subcarrier) (LF+RB) - (LB+RF) Diagonal difference signal. This signal's modulation in algebraic sum and difference with the main channel and all the other subcarriers is also used for the Quadraphonic listener.
- 95 kHz SCA subcarrier, phase-locked to 19 kHz pilot, for reading services for the blind, background music, etc.
There were several variations on this system submitted by GE, Zenith, RCA, and Denon for testing and consideration during the National Quadraphonic Radio Committee field trials for the FCC. The original Dorren Quadraplex System outperformed all the others and was chosen as the national standard for Quadraphonic FM broadcasting in the United States. The first commercial FM station to broadcast quadraphonic program content was WIQB (now called WWWW-FM) in Ann Arbor/Saline, Michigan under the guidance of Chief Engineer Brian Brown.
Other subcarrier services
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