Music of the Philippines are performance arts composed in various genre and styles. The music of the Philippines is a mixture of indigenous, other Asian, European, Latin American, and American.
Traditional music
Main article: Filipino folk musicKulintang
Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines, along with its varied accompanying ensembles. Percussive bossed gong ensembles without a melodical gong rack, known as Agung, are played throughout most of the islands by indigenous groups (such as the Mangyan, Lumad, Batak, Tagbanwa and Aeta) as well as historically by low-land groups such as the Bisaya, Bicol and Tagalog, yet the kulintang ensembles themselves are only played by groups which were Islamized and engaged in international trade with its neighbors in Southeast Asia. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China from before the 10th century CE, or more likely, to the introduction of bossed gong chimes from Java in the 15th century. Nevertheless the kulintang ensemble is the most advanced form of music from before the late 16th century and the legacy of hispanization in the Philippine archipelago.
The tradition of kulintang ensemble music itself is an regional one, predating the establishing of borders between the Philippines, Indonesia and Malaysia. It transcends religion, with animist and Christian ethnic groups in Borneo, Flores and Sulawesi playing kulintangan; and Muslim groups playing the same genre of music in Mindanao, Palawan and the Sulu archipelago. It is distantly related to the Gamelan music orchestras of Java and Bali, as well as the musical forms in Mainland Southeast Asia, mainly because of the usage fo the same bossed racked gong chimes that play both melodical and percussive parts.
Harana and Kundiman
The Harana or Kundiman is a lyrical song made popular in the Philippine Islands, which dates back to the Spanish period. Composed in the Mexican-Spanish tradition, the music is characterized by a minor key at the beginning and shifts to a major key in the second half. Its lyrics depict a romantic theme, usually portraying love, passion, or sadness. In other styles of the Harana or Kundiman tradition, the music is based on a love story. Almost all traditional Philippine love songs in this genre are portrayed with poetic emotion.
In the 1920s Harana or Kundiman became a much more mainstream musical style, with many popular performers including Diomedes Maturan, and Ruben Tagalog singing in Harana or Kundiman style. in this period Nicanor Abelardo popularized the kundiman by composing lovely and harmonic songs
Cariñosa
The Cariñosa (meaning loving or affectionate one), is a Philippine national dance from the María Clara suite of Philippine folk dances, where the fan, and handkerchief plays an instrument role as it places the couple in romance scenario. The dance is similar to the Jarabe Tapatío. The Cariñosa is accompanied with Hispanic music, and language.
Tinikling
The Tinikling is a Philippine dance which involves two individual performers hitting bamboo poles, using them to beat, tap, and slide on the ground, and against each other in co-ordination with one or more dancers who steps over, and in between poles.
Rondalla
The Rondalla is performed on ensembles comprising mandolin instruments of various sizes called bandurria composed on the Iberian tradition. Other instruments including guitars, is also performed.
Philippine choral music
In the forefront of choral music in the Philippines, the Philippine Madrigal Singers has from its ranks produced more than 200 choral arrangers and composers who have contributed to the wealth of Philippines choral literature. They are the first and only two-time champions in the European Grand Prix for Choral Singing (1997, and 2007), widely considered the most prestigious choral competition in the world.
There are choirs in about every university, school, or church in the Philippines and most have gone on international competitions. Of mention are the University of Santo Tomas Singers, University of the Philippines Singing Ambassadors, University of the Philippines Concert Chorus, Ateneo de Manila College Glee Club,Saint Louis University Glee Club (Baguio City), University of the East Chorale, De La Salle University Chorale, Kundirana (De La Salle Greenhills), Kilyawan Boys Choir (Claret School of Quezon City) and University of the Philippines Rural High School Glee Club.
OPM (Original Pilipino Music)
Original Pilipino Music, now more commonly termed Original Pinoy Music or Original Philippine Music, (frequently abbreviated to OPM) originally referred only to Philippine pop songs, especially those in the ballad form, such as songs popularized in the 1970s through the present by major commercial Philippine pop music artists like Pilita Corrales, VST & Co., Ryan Cayabyab, Basil Valdez, Eraserheads, Freddie Aguilar, Rey Valera, and APO Hiking Society.
OPM pop has also been regularly showcased in the live band scene. Groups such as the Neocolours, Side A, True Faith, Passage, and Freestyle popularized songs that clearly reflect the sentimental character of OPM pop.
In the passage of time as well as the development of many diverse and alternative musical styles in the Philippines, however, the term OPM now refers to any type of Original Philippine Music created in the Philippines or composed by individuals of Philippine extraction, regardless of location at the time when composed. The lyrics may be in any Philippine languages or dialect.
For the past 20 years, OPM have been located in Manila, where Tagalog, and English are the dominant languages. Other ethnolinguistic groups such as the Visayan, Bikol, and Kapampangan, despite making music in their native languages are not recognized in the OPM category, except in phenomenal cases like the Bisrock (Visayan Rock music) song "Charing" by Davao band 1017.
Multiculturalism advocates, and federalists often connect this to the Tagalog cultural hegemony of the capital city of Manila.
Having successfully created a subgenre of Philippine Rock they called Bisrock, the Visayans by far have the biggest collection of modern music in their native language, with great contributions from Visayan bands Phylum, and Missing Filemon.
Following suit are the Kapampangans. The debut music video of "Oras" (Time) by Tarlac City-based Kapampangan band Mernuts has penetrated MTV Pilipinas, making it the first ever Kapampangan music video to join the ranks of other mainstream Filipino music videos. "RocKapampangan: The Birth of Philippine Kapampangan Rock," an album of modern remakes of folk Kapampangan extemporaneous songs by various Kapampangan bands was also launched last February 2008, which are now regularly played via Kapampangan cable channel Infomax-8 and via one of Central Luzon's biggest FM radio stations, GVFM 99.1. Inspired by what the locals call "Kapampangan cultural renaissance," Angeles City-born balladeer Ronnie Liang rendered Kapampangan translations of some of his popular songs such as "Ayli" (Kapampangan version of "Ngiti"), and "Ika" (Kapampangan version of "Ikaw") for his repackaged album.
Despite the growing clamor for non-Tagalog, and non-English music, and greater representations of other Philippine languages; the local Philippine music industry, which is located in Manila, is still skeptical in making investments. Some of their major reasons include the language barrier, the still-small market, and the demonization of regionalism in the Philippine Islands.
Best-selling albums in the Philippines
Jose Mari Chan is the best-selling Filipino artist of all time, having two of his albums Christmas in Our Hearts and Constant Change as the two biggest-selling albums in OPM history. Eraserheads has the biggest-selling album by a band with Cutterpillow having sold 300,000 units to date. Nina has the biggest-selling album by a female artist, as well as the biggest-selling live album. Side A, has the biggest-selling EP and the only EP to become certified platinum. Francis Magalona's Freeman is the biggest-selling Filipino rap album of all time. Also, Smokey Mountain makes a record of having the youngest members to become part of the biggest-selling Filipino groups of all time. Here now is a list of the top twenty best-selling albums in the Philippines as of 2009.
Philippine rock music
The United States occupied the Islands in 1898 until 1946, and introduced American blues folk music, R&B, and rock and roll became popular. In the late 1950s, native performers adapted Tagalog lyrics for North American rock n'roll music, resulting in the seminal origins of Philippine rock. The most notable achievement in Philippine rock of the 1960s was the hit song "Killer Joe," which propelled the group "Rocky Fellers" which reached number 16 on the American radio charts.
Up until the 1970s, popular rock music began writing and producing in English. In the early 1970s, rock music began to be written using local languages, with bands like the Juan Dela Cruz Band being among the first popular bands to do so. Mixing Tagalog, and English lyrics were also popularly used within the same song, in songs like "Ang Miss Universe Ng Buhay Ko," by the band Hotdogs which helped innovate the Manila sound. The mixing of the two languages (known as "Taglish"),
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