Art Deco was a popular international art design movement from 1925 until the 1940s, affecting the decorative arts such as architecture, interior design, and industrial design, as well as the visual arts such as fashion, painting, the graphic arts, and film. At the time, this style was seen as elegant, glamorous, functional, and modern.

The movement was a mixture of many different styles and movements of the early 20th century, including Neoclassical, Constructivism, Cubism, Modernism, Art Nouveau, and Futurism. Its popularity peaked in Europe during the Roaring Twenties and continued strongly in the United States through the 1930s. Although many design movements have political or philosophical roots or intentions, Art Deco was purely decorative.

Art Deco experienced a decline in popularity during the late 30s and early 40s, and soon fell out of public favor. It experienced a resurgence with the popularization of graphic design in the 1980s. Art Deco had a profound influence on many later artistic movements, such as Memphis and Pop art.

Surviving examples may still be seen in many different locations worldwide, in countries as diverse as the United Kingdom, Spain, Cuba, Indonesia, the Philippines, Argentina, Romania, Australia, New Zealand, India and Brazil. Many classic examples still exist in the form of architecture in many major cities. The Empire State Building and Chrysler Building, both in New York City, are two of the largest and best-known examples of the style.

History

After the Universal Exposition of 1900, various French artists formed an informal collective known as, La Société des artistes décorateurs (the society of the decorator artists). Founders included Hector Guimard, Eugène Grasset, Raoul Lachenal, Paul Bellot, Maurice Dufrêne, and Emile Decoeur. These artists heavily influenced the principles of Art Deco as a whole. This society's purpose was to demonstrate French decorative art's leading position and evolution internationally. They organized the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Industrial and Decorative Art) in Paris, which would feature French art and business interests. The terms Style Moderne and Art Deco both derive from the exposition's title, though Art Deco was not widely used until popularized by art historian Bevis Hillier's 1968 book Art Deco of the 20s and 30s .

In the summer of 1969, Hillier conceived organizing an exhibition called Art Deco at the Minneapolis Institute of Arts, which took place from July to September 1971. After this event, interest in Art Deco peaked with the publication of his 1971 book The World of Art Deco , a record of the exhibition.

Sources

The structure of Art Deco is based on mathematical geometric shapes. It was widely considered to be an eclectic form of elegant and stylish modernism, being influenced by a variety of sources. The ability to travel and excavations during this time influenced artists and designers, integrating several elements from countries not their own. Among them were the so-called "primitive" arts of Africa, as well as historical styles such as Greco-Roman Classicism, and the art of Babylon, Assyria, Ancient Egypt, and Aztec Mexico. Much of this could be attributed to the popular interest in archeology in the 1920s (eg, the tomb of Tutankhamun, Pompeii, the lost city of Troy, etc). Art Deco also drew on Machine Age and streamline technologies such as modern aviation, electric lighting, the radio, the ocean liner and the skyscraper for inspiration. Streamline Moderne was the final interwar-period development, which most thoroughly manifests technology and has been rated by some commentators as a separate architectural style.

Art Deco design influences were expressed in the crystalline and faceted forms of decorative Cubism and Futurism. Other popular themes in Art Deco were trapezoidal, zigzagged, geometric, and jumbled shapes, which can be seen in many early pieces. Two great examples of these themes and styles are in Detroit, Michigan: the Fisher Building and the Guardian Building.

Attributes

Art Deco was an opulent style, and its lavishness is attributed to reaction to the forced austerity imposed by World War I. Its rich, festive character fitted it for "modern" contexts, including the Golden Gate Bridge, interiors of cinema theaters (a prime example being the Paramount Theater in Oakland, California) and ocean liners such as the Île de France , Queen Mary , and Normandie . Art Deco was employed extensively throughout the United States' train stations in the 1930s, designed to reflect the modernity and efficiency of the train. Art Deco made use of many distinctive styles, but one of the most significant of its features was its dependence upon a range of ornaments and motifs. The style is said to have reflected the tensions in the cultural politics of its day, with eclecticism having been one of its defining features. In the words of F. Scott Fitzgerald, the distinctive style of Art Deco was shaped by 'all the nervous energy stored up and expended in the War'. Art Deco has been influenced in part by movements such as Cubism, Russian Constructivism and Italian Futurism, which 'are all evident in Art Deco decorative arts'.

Materials and design

Art Deco is characterized by use of materials such as aluminum, stainless steel, lacquer and inlaid wood. Exotic materials such as sharkskin (shagreen), and zebra skin were also in evidence. The bold use of stepped forms and sweeping curves (unlike the sinuous, natural curves of the Art Nouveau), chevron patterns, and the sunburst motif are typical of Art Deco. Some of these motifs were ubiquitous — for example, sunburst motifs were used in such varied contexts as ladies' shoes, radiator grilles, the auditorium of the Radio City Music Hall, and the spire of the Chrysler Building.

Streamline Moderne

A parallel movement called Streamline Moderne, or simply Streamline, followed close behind. Streamline was influenced by the modern aerodynamic designs, including those emerging from advancing technologies in aviation, ballistics, and other fields requiring high velocity. The attractive shapes resulting from scientifically applied aerodynamic principles were enthusiastically adopted within Art Deco, applying streamlining techniques to other useful objects in everyday life, such as the automobile. Although the beauty of the functional design, not tacked on ornamentation, of the Chrysler Airflow design of 1933 was commercially unsuccessful, it provided the lead for more conservatively designed pseudo-streamlined vehicles.

Streamlining quickly influenced American and European automobile design and changed the look from the rectangular "horseless" carriages into sleek vehicles with sweeping lines, symmetry, and V-shapes that added to their mystique of speed and efficiency. Nash Motors introduced the modern fully-unitized body (monocoque) design for the low-price market in 1941 that featured fastback “Slipstream” models with high prow-like hoods, and Art Deco "speed lines" in sweeping chrome grilles and parallel bar trim. These aerodynamic-looking designs were applied by automakers and continued to be popular in the sellers' market after World War II. These "streamlined" forms began to be used in the design of mundane and static objects such as pencil sharpeners, refrigerators, and gas pumps.

Art Deco celebrates the Machine Age through explicit use of man-made materials (particularly glass and stainless steel), symmetry, and repetition, modified by Asian influences such as the use of silks and Middle Eastern designs. It was strongly adopted in the United States during the Great Depression for its practicality and simplicity, while still portraying a reminder of better times and the "American Dream".

Streamlining was geared towards simplicity, the idea that less is more. Eliminating elements that cluttered a given building, painting, or chair was the focus of this new development of streamlining. This simplicity is portrayed through the use of crisp, symmetrical geometric forms. Streamlining enables diverse furnishings to coexist seamlessly with in one space.

Decline and resurgence

Art Deco slowly lost patronage in the West after reaching mass production, when it began to be derided as gaudy and presenting a false image of luxury. Eventually, the style was cut short by the austerities of World War II. Before destruction in World War II, Manila possessed many Art Deco buildings; a legacy of the American colonial past. A resurgence of interest in Art Deco came first in the 1960s, and then again in the 1980s with the growing interest in graphic design, where its association with film noir and 1930s glamour led to its use in advertisements for jewelry and fashion.

Surviving examples

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